This is exactly what happened with the footage you posted the other day, too. What happens is that your greens will turn into yellow / brown and your reds will look off, too. I haven't shot with VLog (I'm a GH3 owner) but whenever using LUTs I have to dial them down a lot in order not to destroy the footage. In my experience with Panasonic cameras, you should avoid using LUTs. As for 10-bit footage (or Raw), it just gives you more options once you get your paint brush out - neither is going to save really badly shot footage.
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So 8-bit footage is a really good education, as it should teach you how to film properly. The way I've always seen filming is to get it right or as close as you can, when you are filming - thinking that you can or should just fix things in post is making more work for you in the long run & you won't really learn how to film properly with that mindset. At the moment, I've been re-visiting a rejected project that I shot on my Canon 60D & most of the shots are fine, but some really need Film Grain to cover up stuff - but am really enjoying the limitations! My rule of thumb, when I used to shoot 8-bit, was to get it as close to perfect in-camera & then any grading was performing minor tweeks so as not to destroy the footage. The thing with 8-bit footage is that you can't really push it too hard - it'll just fall apart too easily. Yes, I've got the BMPCC & grading with 10-bit footage is like discovering Eldorado!
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That series of videos is so useful & it'll help with solving the skintone problems that you were having in your other post. But if I could I would get it without a moments notice. No I don't, as my iMac is too old & so can't get it. Ill add some XC10 footage to the pinned thread shortly. I actually WANT to like them, but I don't! So I'm venting. Its so disappointing because Sony specs are great, and their innovations like the memory CMOS for high-speed footage, as well as continuous ND are brilliant.īut every time I get one of these things into a high-pressure situation or back into post I just feel let down. Its not that you can't make it look nice, it's that it restricts you to a certain look that isn't always suitable, so I find unless the situation is very controlled I can't cut it with Canon C footage to my satisfaction. The F65 looks great, but once you get down to consumer/pro crossover level I'm afraid it's just a bit piggy unless you want a kind of odd bluish Kodak emulation on everything. The colour is so obviously Sony because it's always missing something. The build quality is also questionable, probably partly due to an obsession with miniaturisation that is becoming counter productive. Sony menus are so bad they ruin the experience of the cameras for me. If you look on paper at the specs and the choice looks silly, but actually use the cameras and all becomes crystal clear. Slow lens? Yeah, but great colour great battery life, brilliant menus and autofocus. On paper a crazy idea, but in reality it's an upgrade. After ejecting yet another Sony camera that looked great on paper (RX10ii) I thought I'd make a little comment about this.
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